Concept: Printmaking

  • rozman_PM-2

    A CANVAS IS NEVER EMPTY

    installation (20 documentary photographies 40x50cm, 2 framed embroidered canvases 30x40cm) The process of embroidery – and the ultimate result of decision-making – is the foundation for the work exhibited at the PM Gallery / Gallery of Extended Media. The process of (needle)work is lengthy; 120,000 stitches is a lot of time for reflection. According to Tao Te Ching nothing (the emptiness) is a source […]

  • _mg_4105-web

    SKETCHING

    stancil on gobelin canvas / screenprint on paper, 40x50cm Sketching about the matrix: The action of printing the matrix on a gobelin canvas consequently produced prints on paper. The gobelin canvas –screen– let the paint flow through the mesh openings during the squeegee stroke, and by transferring the image onto the printing surface –paper– it […]

  • _mg_4112-web

    VARIETIES

    screen print and digital print on paper, 70x70cm The main motive of the work “Varieties” (Variations) is the signature of the (graphic) print. 1/1 is not a valid graphic series, but rather a monotype. Therefore, it is necessary to make more than one print for the graphic edition to be valid. I decided to produce […]

  • 1

    qrART

    linocuts on paper, 50x50cm With “qrART” series, I exhibit linocut QR codes consisting of square dot arrays seemingly arranged at random within the boundaries of a white square. In the series the price information becomes the work itself, at the same time blatantly obvious and tastefully hidden, as the whole purpose of the work becomes […]

  • KVADRIPTICH

    installaction (…) Putting aside the feminist readings itself, this is the case of an action which, through the act of their simultaneous tapestry embroiling, assemblies four female artists into a mutual associating in the context of an exhibition space. Motifs of these tapestries are famous quotes of well-established male contemporary artist. That same tapestry presents […]

  • _mg_4102-web

    FINGERPRINT

    mixed media The work juxtaposes the legal and artistic identity by documenting the process of developing a graphic print–form printing, the signing of the work, up to symbolic self-destruction which presumably makes a series a valid piece of art. The problem of the identity is emphasized by the simple act of cutting the finger, with […]